Ray Harryhausen: Titan of Cinema Virtual Exhibition Experience
Enjoy our specially curated Ray Harryhausen: Titan of Cinema virtual exhibition experience from the comfort of your home.
This amazing virtual exhibition experience includes:
Get a fascinating look inside the exhibition and hear from family, friends and contemporaries, as well as just a few of the writers, animators and film makers who tell how Harryhausen and his work left an indelible mark on them.
The Ray Harryhausen: Titan of Cinema virtual exhibition experience includes an array of content options including five specially created films, images and texts from the exhibition as well as archive films and objects from Ray Harryhausen's life and work.
The content is arranged around the thematic rooms of the exhibition and looks at Harryhausen’s career from his earliest experiments with animation through to his triumphant final film Clash of the Titans (1981).
The experience kicks off with a film in which animator Barry Purves looks at the influence of King Kong (1933) and the profound effect that it had on the young Ray Harryhausen. Barry discusses Harryhausen’s work alongside that of his mentor Willis O’Brien and how both men brought the art to the technology of stop-motion animation. We also hear from Harryhausen himself in archive interviews in which he discusses the process of stop-motion and his love of King Kong.
This section of the experience also includes a broad selection of images from the exhibition. These include objects from Harryhausen’s collection of King Kong memorabilia as well as models, sketches, photographs and films made by the young Ray Harryhausen.
In the second film we join stop-motion animators, and Harryhausen collaborators, Seamus Walsh and Mark Caballero. Seamus and Mark discuss working with Harryhausen to complete his film The Tortoise and Hare, a project that he had started 50 years earlier. They look at Harryhausen’s use of the replacement animation technique pioneered by George Pal as well as discussing Harryhausen’s model-making techniques.
In addition to the film, this section looks at Harryhausen’s fairy tale films with clips, behind the scenes photographs and sketches from these early films. We also examine Harryhausen’s model-making process from early sketches, to armatures, moulds and finally to finished models. We then take a look at one of Harryhausen’s lost movies: a planned adaptation of H.G. Wells’s War of the Worlds. Included are detailed sketches, models and the test footage that Harryhausen made for this unfinished project. In the process, we gain an insight into how Harryhausen took an idea from his imagination and gave it form.
In the third film we are joined by Oscar-winning special visual effects artist Randy Cook. Randy looks at Harryhausen’s transition to feature films and in particular his first colour film, the hugely influential 7th Voyage of Sinbad (1958). He explains Harryhausen’s famed Dynamation process, through which he was able to combine animation with live action to create some of the most iconic moments in fantasy film history.
The remainder of this section looks at Harryhausen’s move into feature films with photographs of the models, beautifully realised key drawings, storyboards, behind the scenes photographs and posters from a range of films. Included in this section are artifacts from The Beast from 20,000 Fathoms (1953), It Came from Beneath the Sea (1955), Earth vs the Flying Saucers (1956), 20 Million Miles to Earth (1957), Mysterious Island (1961), The First Men in the Moon (1963), One Million Years B.C. (1966) and The Valley of Gwangi (1969).
In this film we look at the two cycles of films for which Harryhausen is perhaps best known. The Sinbad trilogy and the Greek Myths films Jason and the Argonauts (1963) and Clash of the Titans (1981). We are joined once again by Barry Purves who along with Harryhausen actors Caroline Munro and Martine Beswick, fans Marshall Julius and John Walsh, comic book writer and producer Mark Millar, animator Nina Gantz and Harryhausen’s daughter Vanessa looks at some of Harryhausen’s most iconic big screen moments.
The film is supplemented by an array of key drawings, storyboards, sketches, posters, behind the scenes photographs, animation tests, posters and models from these iconic films.
In the last film Ray Harryhausen’s daughter Vanessa takes a personal look at her father’s life in film. She reflects and the crucial role that Harryhausen’s parents played in his early success, his fruitful partnership with producer Charles Schneer, her father’s legacy and living with a special effects legend.
To supplement this film we have included an eclectic array objects from Harryhausen’s life including early artworks, books and ephemera and late career sculptures. We also look at Harryhausen’s lifelong friendship with the author and fellow dinosaur enthusiast Ray Bradbury.
Throughout the year we will be adding four exclusive live events in which guest speakers will discuss Harryhausen’s work and its influence.
For the exhibition we worked closely with our partners Play Dead and the Ray and Diana Harryhausen foundation to make 3D scans of Harryhausen’s models. From these Play Dead created a number of recreations from these models. Included in the package are three of these 3D creations.
In addition to the above we have included exclusive access to interviews and exhibition footage created for the exhibition’s press launch.
The Ray Harryhausen | Titan of Cinema virtual exhibition experience contains images of many (but not all) of the artworks on display in the exhibition at the Scottish National Gallery of Modern Art. It also contains some extra images and films that are not part of the physical exhibition.
Access the virtual exhibition experience (subscribers only)
The Ray Harryhausen Titan of Cinema virtual exhibition experience is available on nationalgalleries.org only. Tickets are required for this event and cost £10 per person. There are no concessions available for this event. Tickets for this event can only be purchased online on nationalgalleries.org only. A ticket confirmation will be sent to the email address provided. International users: please note you will be charged the exchange rate on your given day of purchase. Tickets are nonrefundable and cannot be exchanged. Purchasing a ticket gives you access to the content until 20/02/2022. Access is available to the ticket purchaser only. The link and content are not shareable. Users are responsible for ensuring they have the necessary software available to view the purchase. The content is hosted on nationalgalleries.org and Spout Video. National Galleries of Scotland are not liable if nationalgalleries.org, Sprout Video and the subsequent content is not accessible for a period of time due to circumstances outwith their control. National Galleries of Scotland reserves the right to remove the content at any time due to circumstances outwith it’s control.
National Galleries of Scotland is a charity registered in Scotland (SC003728).
Gifts on the theme of film special effects and modern movie making
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